Koe: An Aotearoa ecopoetry anthology launches on 22 August 2024 – plus recent writing news & events

Koe: An Aotearoa ecopoetry anthology launches on 22 August – you’re invited to the launch!

I’m delighted that my poem “All That Summer”, first published in my collection New Sea Land (2016), has been selected for this new anthology of environmental poetry from Aotearoa / New Zealand, edited by Janet Newman and Robert Sullivan. I’ll be one of the poets reading at the Wellington launch, which is at
Meow, 9 Edward Street, Wellington from 6pm on Thursday, 22nd August – the same day the anthology becomes available in bookstores.

Please share the event with your friends, fellow poets, artists and activists on Facebook at:
https://www.facebook.com/share/tgMg2PTEwB58NmCL/ – and please come along!

More about Koe

Koe invites readers to explore human connections with nature through a selection of over 100 poems composed in Aotearoa New Zealand from pre-European times to the present day. Including a substantial introduction and editors’ notes, Koe is the first anthology to provide a comprehensive overview of ecopoetic traditions in Aotearoa and to locate these traditions as part of the global ecopoetry scene.

In Koe, editors Janet Newman and Robert Sullivan reveal the genesis, development and heritage of a unique Aotearoa New Zealand ecopoetry derived from both traditional Māori poetry and the English poetry canon. Organised chronologically into three sections—representing the early years (poets born in or before the nineteenth century), the middle years of the twentieth century, and the twenty-first-century ‘now’—each segment presents a diverse array of voices. Across all these time frames, speaking from the conditions of their era, the poets delve into themes of humility, reverence and interconnectedness with the nonhuman world. They challenge traditional Eurocentric perspectives, highlight the significance of indigenous narratives, and wrestle with the impacts of European colonisation.

With more than 100 poems of celebration, elegy, apprehension, hope and activism, Koe gives us the history that holds our future.

New Poems Published in a fine line and Tarot

I’ve recently had new poems published in a fine line and Tarot – thanks very much to respective editors Gail Ingram and Kit Willett for selecting these poems for publication!

Check them out here:

a fine line (Autumn 2024): Tuesdays [a reprint], The Hedgehog Heart In Conflict With Itself [new]

Tarot 8: The Richter Scale (p. 30), Balcony (2023) (p. 47)

Where To From Here webinar for Our Climate Declaration

In July, I spoke to an Our Climate Declaration webinar about the nexus between climate writing and climate activism, referring both to my novel Emergency Weather and to the current political moment.. Thanks to Our Climate Declaration for the opportunity – check out the webinar below!

A Change In the Weather: The Climate Crisis In Poetry And Fiction

Photo of Dunedin writing event described in text

Tim Jones, Kay McKenzie Cooke, Michelle Elvy, Tunmise Adebowale, Mikaela Nyman, Jenny Powellthanks to Kay for the photo!

I spent a couple of weeks in the south of the South Island in late June and early July, travelling with family and visiting friends. Along the way, I took part in a writing event in Dunedin, A Change In the Weather: The Climate Crisis In Poetry And Fiction on Thursday 4 July, which Michelle Elvy, Kay Mckenzie Cooke and I organised. The event was held in the Dunningham Suite at Dunedin Public Library – thanks very much to Ali and her team for setting the venue up & being such good hosts!

We had six readers:

Tim Jones
Kay McKenzie Cooke
Michelle Elvy
Tunmise Adebowale
Jenny Powell
Mikaela Nyman

and everyone read wonderful pieces! Then, afterwards, we had a really good discussion, covering both climate & environmental writing and climate activism, with the audience. Books got sold, drinks were drunk, nibbles nibbled (thanks to Kay and Robert for getting the drinks and nibbles) – it was a very positive event and I enjoyed it a lot. I lived in Dunedin from 1976 to 1993, and I felt very welcomed by the Dunedin literary community at this event.

Thanks to all our sponsors: The Cuba Press, Ōtepoti – He Puna Auaha / Dunedin City of Literature, Dunedin Public Libraries and the University Book Shop.

A Great Review for Emergency Weather + Two Books I Really Enjoyed Reading

A good review is always nice to get, and especially when it’s unexpected. That’s why I was so pleased to see this review of Emergency Weather by Alyson Baker, and especially to see the praise she had for the plotting:

The plotting of Emergency Weather is brilliant. Allie’s harrowing attempt to reach Dunedin Airport, and Stephanie and Miranda’s nightmare tramping trip prepare the reader for what lies ahead. The three main characters weave around each other in passing before eventually ending up in the same place – a memorial service held after a climate catastrophe. The death toll is 43: “a good number for action: large enough to be shocking, small enough that the people killed could be distinguished in the public mind, could be seen as individuals rather than statistics.”

That is what Emergency Weather is about: how can people be motivated to act?

Want to buy a copy of Emergency Weather? Try your local independent bookstore or order direct from The Cuba Press!

PS: If your local library doesn’t stock it, please recommend it to them!



Two Books I Really Enjoyed

Light Keeping by Adrienne Jansen

Light Keeping is an understated novel of quiet power. Set against the ruthless cost-cutting that led to the replacement of lighthouse keepers with automation, it follows a family of lighthouse keepers as they navigate both personal tragedy and institutional indifference, with the latest generation trying to escape the long shadow of the past.

Adrienne Jansen does a great job of intertwining the personal upheavals of her protagonists’ lives with the vagaries of coastline, sea and weather. The boundary between land and sea on which the lonely lighthouse stands is blurred by both disaster and hope, as Jess and Robert struggle to keep the light in view.

Remains To Be Told: Dark Tales of Aotearoa, edited by Lee Murray

Remains To be Told is a very strong anthology of dark fantasy stories and poems from Aotearoa – and I’m not just saying that because one of my poems is including in this anthology! Editor Lee Murray has pulled together a group of authors known for their horror and dark fantasy work, including Neil Gaiman, and others better known for work outside the field, most notably Owen Marshall.

Many of the stories focus to be found in rural Aotearoa – this anthology shows that “New Zealand Gothic” is alive and well, yet it also has a strong and welcome focus on indigenous stories and indigenous mythology. If you want to experience what lies under the surface of the tourist promotional photos and Instagram influencers’ images of unspoiled nature and carefully curated tourism images, this is the anthology for you.