How To Buy My Books: Men Briefly Explained, Anarya’s Secret And More

 

Books

You can find details of all these books at my Amazon.com author page.

If you want a print copy and can’t find one, please email me.

Recent Anthologies

How To Buy My Books: Anarya’s Secret, Transported, Voyagers, And More

Welcome! Since I’m between blog posts at the moment, here are details about how to buy some of my books. You’ll find my recent posts listed on the left-hand side of this blog.

You can find details of all these books at my Amazon.com author page.

You’ll also find my work in these recent anthologies:

How To Buy My Books: Anarya’s Secret, Transported, Voyagers, And More

Welcome! Since I’m between blog posts at the moment, here are details about how to buy some of my books. You’ll find my recent posts listed on the left-hand side of this blog.

You can find details of all these books at my Amazon.com author page.

You’ll also find my work in these recent anthologies:

How To Buy My Books: Anarya’s Secret, Transported, Voyagers

Welcome! Since I’m between blog posts at the moment, here are details about how to buy some of my books. You’ll find my recent posts listed on the left-hand side of this blog.

You can find details of all these books at my Amazon.com author page.

You’ll also find my work in these recent anthologies:

Anarya’s Secret: An Earthdawn Novel – Now Available On The Kindle

My 2007 novel Anarya’s Secret: An Earthdawn Novel is now available on the Kindle from Amazon US and Amazon UK.

It’s the third of my books to become available on the Kindle. My short story collection Transported and the NZ science fiction poetry anthology Voyagers, which I co-edited with Mark Pirie, are also available.

You can find out more about Anarya’s Secret in this introduction to it [note: some of the links are now out of date] and read the first part of the Prologue, which gives the context, derived from the Earthdawn universe, in which the novel takes place.

Anarya’s Secret is also available as a hardback, paperback, or e-book (via RPGNow or DriveThru).

Anarya’s Secret was the first in RedBrick’s line of Earthdawn novels, which includes both originals and reprints, and you can see the full line of novels (and other Earthdawn products) on their site.

Welcome To My Blog

Welcome! If you’re visiting for the first time, here are some of my books, and how to get hold of them.

You should also check out Helen Lowe’s Australia/New Zealand F&SF Author Series, which she’s organised to celebrate the release of her novel The Heir of Night.

We All Have To Eat: Anarya’s Secret Moves Home

My Earthdawn novel Anarya’s Secret, published in December 2007, now has a new home page on the revamped site of RedBrick, which has just released the Earthdawn 3rd edition. You can now find Anarya’s Secret here:

http://www.redbrick-limited.com/cms/index.php?categoryid=67&book_id=12

Here’s the first few paragraphs of Anarya’s Secret, to give you an idea of what the book, and Earthdawn, are about:

Anarya’s Secret – Prologue

We all have to eat.

Anarya grew up in a community sliding down the long slope to extinction. She played with toys handed down through the generations, and followed her parents from plaza to farm, from farm to market stall, from market stall to plaza, without wondering why there were so few other children, or why the lights were dim, or why so much of her world was shadow and silence. And as for the sun and the sky, she never thought of them, for she had never seen them.

Fifteen generations ago, the ancestors of her ancestors lived in the fertile valley of the river then known as the Volost, which rose on the northern flanks of the Tylon Mountains. There they farmed, and sometimes fought. They traded with the human communities of the Tylon and the t‘skrang of the Serpent River, and did not give undue thought to the future.

Then emissaries from the Theran Empire came among them and told them of the coming Scourge: the time when the magical potential of the world would be so great that Horrors from other dimensions would be able to enter and ravage it, devouring bodies, devouring minds. The people of the Volost took a lot of persuasion, but the Therans were persistent; and as the years went by, even farmers who never stirred from their soil could no longer deny the reports that reached them from north and south, of terrible things gathering at the margins of the inhabited lands, and breaking through to wreak havoc on the innocent and the ill prepared.

So the elders of the villages along the Volost swallowed their pride and began the construction of Kaer Volost within the mountains at the valley‘s head. They paid a high price in coin and freedom, but they built well, hewing as closely as possible to the Theran plan; and when the time came, they retreated behind their orichalcum doors and prepared to wait out the Scourge deep within the rock.

The doors and the barriers, both magical and physical, held against the worst that came to their world. Even as their valley was turned from fertile earth to Horror-haunted wasteland, its people survived deep within the kaer, and recounted their history in the plaza at night, comforting themselves with the hope that, though they would never again see the sun themselves, their far, far descendants would once more walk free on the surface.

But if Kaer Volost was a refuge, it was also a prison: a prison for the souls of the old, living out their days in a growing darkness, and a greater prison for the souls of the young, trapped in a cage they could not escape.

For the first ten generations after the doors were sealed it was, at least, a well-lit and well-provisioned prison. Using natural water and magical light, the people could grow all the food they needed, and though their skins became deathly pale from the absence of sunlight, and their bones were unduly prone to breaking, in most respects they were healthy enough in body.

Then the magic began to fade. Who can say why? It may be that a little knowledge was lost as each generation of magicians and adepts passed on its learning to its successors, until some irrecoverable threshold was crossed. It may be that the loss of magic within the kaer was connected with the loss of magic in the world outside, for it was at this time that the kaer‘s elemental clock first showed movement. The ball of True earth, suspended above its dish of True water, began, infinitesimally, to fall. The closer it got to the water, the less the level of magic was in the world outside; and when it reached the water and dissolved, then the magic in the world outside would have gone too, and with it the Horrors. Then all could rejoice, and throw open the doors of the kaer.

Eventually, the doors do get thrown open. It doesn’t prove to be such a good decision, because we all have to eat …

You can buy Anarya’s Secret online as a hardback, paperback, or e-book (via RPGNow or DriveThru).

My Earthdawn Novel “Anarya’s Secret” Is One Year Old

My Earthdawn novel Anarya’s Secret was published one year ago today.

It’s a fantasy novel, set in the universe of the Earthdawn roleplaying game – a game developed by FASA, and continued and expanded by New Zealand games publisher RedBrick.

Here’s the publisher’s blurb:

Kendik Dezelek is a young Swordmaster. He’s tall, strong, and well-trained. But when he leaves his home village on the road to adventure, he soon finds that those things will only get you so far. In the land between the Tylon Mountains and the Serpent River, friend and foe are not always as they appear.

In a world still recovering from the Scourge, when Horrors ravaged the land of Barsaive, Kendik is soon forced to choose between a range of evils. He travels with the surly and disreputable Turgut brothers. He encounters the bloated tyrant Lord Tesek, ruler of the growing city of Borzim. And he is ensnared in the plots of the feared and mysterious House of the Wheel.

Most of all, he meets Anarya Chezarin, who enters his life from the depths of an ancient stronghold. Who is she, and what is her secret? It may cost Kendik and Anarya more than their lives to find out.

I had a great time writing Anarya’s Secret! It’s stuffed to the gills with plot, incidents, happenings, mysterious humans and even more mysterious non-humans. It’s got adventure, romance and tentacles. If you’re a gamer yourself, or there’s a gamer in your family, I think there’s plenty in Anarya’s Secret to keep them entertained.

You can buy Anarya’s Secret online as a hardback, paperback, or e-book (via RPGNow or DriveThru).

What I’m Writing

I set up this blog to write about and promote the three books I had published between September 2007 and June 2008 – All Blacks’ Kitchen Gardens, Anarya’s Secret and Transported – plus post about other writers, books, and matters of interest to me. I’ve been doing all that, and will keep doing it, but I realised a few days back that there was one topic I hadn’t tackled: what I’m writing now.

I write short stories, poetry, and novels. Inefficient, maybe, especially for someone who writes part-time, but that mix doesn’t seem likely to change in the near future – because I’ve got all three types of writing on the go. My main focus is my new novel, but short stories and poetry refuse to be entirely set aside.

First, the novel. I’m prone to calling it “my new novel”, but that’s not strictly accurate. Before I wrote Anarya’s Secret, I had written another novel, with the working title “Antarctic Convergence”. The jumping off point for “Antarctic Convergence” was a story I wrote in 2000, “The Wadestown Shore”, which is included in Transported.

[SPOILER ALERT]

This is the story that begins:

I cut the engine in the shadow of the motorway pillars and let the dinghy drift in to the Wadestown shore. The quiet of late afternoon was broken only by the squawking of parakeets. After locking the boat away in the old garage I now used as a boatshed, I stood for a moment to soak in the view. The setting sun was winking off the windows of drowned office blocks. To the left lay Miramar Island, and beyond it the open sea.

and ends:

The sunken office blocks of the Drowned city were far behind me. The rich waters and virgin shores of Antarctica lay ahead. I made my way forward to greet them.

[/SPOILER ALERT]

“The Wadestown Shore” is (in revised form) also Chapter 1 of the novel.

I finished the initial version of this novel in 2004, but was unable to get it published. I decided to shelve it for a while, write something else (that turned out to be Anarya’s Secret), and then revisit the novel and the feedback I’d had on it.

I did that earlier this year, and though there are some valid arguments against rewriting your first completed novel, I felt that the basic idea of “Antarctic Convergence” was still good, but that the novel had major structural problems, especially in its second half. So I’m rewriting it pretty much from scratch, and I’m almost half way through the redraft. More news, I hope, in 2009.

Next, the short stories. I’ve written three new stories since Transported was put to bed, and am currently working on a fourth which I’m trying to finish in time for an anthology submission deadline. That isn’t exactly enough for a collection, and I’m putting completing the novel ahead of writing lots more stories, but I will keep plugging away. When new stories of mine do appear in print or online, I’ll let you know.

Last but not least, the poetry. Although All Blacks’ Kitchen Gardens was published in 2007, I completed the manuscript (more or less) in 2005, so I have had three years to get some more poetry written. But, whereas I can decide that I’m going to work on my novel for the next two hours, sit down, and get 1000 or so words written, I have found that I can’t make myself write poetry: it arrives when it wants, and when it doesn’t want, nothing will induce it – yes, it’s that old favourite “the muse” again!

All the same, when checking the other day, I found that I had 29 poems which I’d consider putting towards a new collection – and what’s more, 29 poems that fit a theme. Will I write more poems that fit this theme and assemble them beautifully into a collection, or will I go off on a complete tangent? Watch this space!

Self-Publishing: How Does It Stack Up for Authors?

The first two books I had a hand in were self-published. I edited two small anthologies, What on Earth (1992) and Electroplasm (1993), which contained stories and poems from the writers’ group I belonged to in Dunedin – one of the writing groups to which there’s a dedication in the front of Transported. Dan McCarthy designed and printed them, and we sold a decent number of copies of each – you can find them in some New Zealand libraries, and I still have a few copies of Electroplasm if anyone would like one.

My next three books, Boat People (poetry), Extreme Weather Events (short stories) and All Blacks’ Kitchen Gardens (poetry), were published by Wellington small press publisher HeadworX – I say “small”, but HeadworX publishes at least four books per year. My fantasy novel Anarya’s Secret was published by RedBrick, a New Zealand games publisher, who publish the hardback and softback editions of their books via Lulu.com, which is a big self-publishing firm. And my short story collection Transported was published earlier this year by Vintage, an imprint of Random House New Zealand, a large New Zealand publisher.

So I’ve had experience with self-publishing, small press publishing, and large press publishing. The latter two haven’t changed a lot since the early 1990s, but self-publishing certainly has. It used to be all about getting down and dirty and producing the book yourself, then selling it off to friends, family, and through the occasional bookshop that was willing to take a few copies on a sale-or-return basis.

Now there are companies that specialise in helping authors to self-publish, including the New Zealand-based BookHabit (which specialises in e-books) and PublishMe. PublishMe puts the pitch of the new self-publishers concisely:

The world of publishing is changing fast. Everyone is feeling it, from the authors through to the book stores. The age of Internet publishing has arrived and is redefining how written information is shared. Whilst such change is creating frustration and uncertainty it is also creating opportunities that have never been available so clearly before. One of these is the rise in the power of the author to become his or her own publisher.

That is the fundamental advantage that self-publishing offers to authors: there’s no gatekeeper standing in the way. If you want your book to be published, it can be, without having to jump through the hurdles of acceptance by a traditional publishing company. And you no longer have to do all the scut work yourself: for a fee or a percentage, the self-publishing company will do it for you. They will even put you in touch with freelance editors, proofreaders and so forth. These roles are vital to ensure the quality of a book, but it’s no longer only traditional publishing companies that can provide them (though, in my experience, publishing companies’ editors do an excellent job).

Yet there is still one major hurdle to be surmounted, and I am not sure that self-publishing has cracked it. If you want people to buy your books (and some people are happy to offer them for free or a donation), then they have to be able to find out about them, and find them.

Traditional publishers have built up a sizeable infrastructure devoted to precisely this – a system involving advance review copies, promotional material, national and/or international distribution networks, and representatives who promote your book to bookshops. Despite claims that Amazon has revolutionised book publishing (note: article will open after an ad, which can be skipped), the traditional publishing industry makes a strong case that their approach still results in a better income for writers.

I have no ideological objection to self-publishing. But I am yet to be convinced that, except in rare “breakout” cases, it can reliably offer as much in the way of distribution, publicity, sales, and income for the writer as traditional publishing can.

Nevertheless, self-publishing has come a long way towards closing the gap on traditional publishing since the 1990s. In five or ten years’ time, the current arguments against self-publishing may no longer apply.

What do you think?