Blogging Au Contraire: Day One: “A Foreign Country” Book Launch

I’m pushing it a bit when I say that I’m blogging Day 1 of Au Contraire, since all I attended today was the launch of new short fiction anthology A Foreign Country: New Zealand Speculative Fiction. I’ll be much more thoroughly present at the Con tomorrow and on Sunday.

But here are some quick observations:

* The book launch was short but sweet. Anna Caro introduced the book, Claire Brunette read her story from the collection, “Beneath The Trees”, and then much signing and photographing was done.
* The production quality of A Foreign Country is excellent. Publishers Random Static have done a great job of design and production.
*A Foreign Country has 22 stories in its 266 pages, costs $24.95, and is available from independent bookshops – such as Unity and Parsons in Auckland and the University Bookshop in Dunedin (I didn’t catch the whole list). You can also order it from the Random Static website.
* If you want to order it from a bookshop that doesn’t stock it, the ISBN is 978-0-473-16916-9
* The Con looks like a great place to catch up with old friends as well as make new ones. In the short time I was there, I met several people I hadn’t seen for a long time, and a quick perusal of the guest list shows plenty more old friends to catch up with.
* Holding the Con a week before the World Science Fiction Convention, Aussiecon 4 in Melbourne, has meant that overseas attendees actually outnumber the New Zealanders. There are 150 overseas fans attending out of about 240 total.
* The Convention Committee are doing a fine job & holding up well so far. Running a science fiction convention is one of the most tiring jobs I know – I wish them all the best for the rest of the weekend.

So let’s leave you with the A Foreign Country cover and press release.

The Future Is A Foreign Country

Imagine worlds where strange creatures roam the hills of Miramar, desperate survivors cling to the remains of a submerged country, and the residents of Gisborne reluctantly serve alien masters.

Those are just some of the visions painted in a new volume of speculative fiction by Kiwi writers. Published by Wellington-based small press Random Static, A Foreign Country: New Zealand Speculative Fiction features work by best-selling author Juliet Marillier; poet, musician, and writer Bill Direen; and several Sir Julius Vogel Award winners, prominent writers, and talented newcomers.

Popular and award-winning Australian author Sean Williams, who will be in Wellington at the time of the launch, was impressed by his sneak preview, describing the anthology as “richly populated with the frightening and the fabulous, the thrilling and the thoughtful, the inspiring and the inspired.”

Co-editor Anna Caro hopes the works in the collection will both provide points of familiarity to readers, and take their imagination to new places. “Many of the stories are set in New Zealand, present or future, and portray worlds which are both instantly recognisable and nothing like the country we currently live in. This anthology showcases some of the remarkable range of New Zealand’s world-class speculative fiction writers.”

Getting Ready For Au Contraire

I’m looking forward to Au Contraire more than I’ve looked forward to a science fiction convention for a long while.

My convention-going extends back to 1980 and the second New Zealand National Science Fiction Convention (Natcon) in Wellington. I have been to a couple of World Science Fiction Conventions – Aussiecon Two in 1985, and ConFrancisco in San Francisco in 1993, where I was daunted by the sheer scale of the event – and I’ve attended other conventions in Melbourne and Edinburgh.

But my con-going has been sporadic at best in recent years. I’ve popped along to Wellington Natcons, and it has been nice to catch up with friends there, but the conventions themselves have seemed subject to the law of diminishing returns.

So why am I so excited about Au Contraire? Well, part of it is the programme, which has a strong bent towards written rather than watched SF this year.

Part of it is the very strong lineup of guests, many of whom are proceeding on to Aussiecon 4, the 2010 Worldcon, held the weekend after Au Contraire – unfortunately, I’m unable to make the journey. The lineup of visiting guests includes Hugo Award winners like Cheryl Morgan and Patrick Nielsen Hayden.

Part of my excitement is because I’m more involved in the convention programme than I have been for a long time. I’ll be taking part in or attending:

– The launch of NZ SF anthology A Foreign Country, which includes my story “The Last Good Place”, and a whole bunch of stories by authors whose work I’m keen to read.
– The panel I’m running on “Getting Published in New Zealand”.
– The launch of Speculative Fiction Writers of New Zealand (SpecFicNZ) – I haven’t been involved in setting this up, but I’m impressed by the dedication shown by those who have.
– A panel I’m on called “Joss Whedon Is My Master Now”. As a good anarchist, I will of course respectfully dissent from the panel title, and argue that, instead, “Jed Whedon Is My Master Now”. (Sorry, Zack. Sorry, Mo!)
– The panel on SF poetry I’m on with Janis Freegard and Harvey Molloy.
– A live Q&A session I’m doing with Patrick Nielsen Hayden.
– The Sir Julius Vogel Awards ceremony, where Voyagers is up for “Best Collected Work”.

And after all that, I think I might take Monday morning off!

Red Mars, life is peaceful there

Kim Stanley Robinson is one of my favourite science fiction writers. He’s that very rare beast, a writer of hard science fiction who is also a writer of fine prose. He will be a Guest of Honour at Aussiecon 4, the 68th World Science Fiction Convention (Worldcon), in Melbourne in September 2010.

In case you’re wondering, hard science fiction is that sub-genre of science fiction which focuses on the science at least as much as the fiction, and which makes every effort to be consistent with known physical laws. It’s hard to write, and even harder to write well. Kim Stanley Robinson manages to write works of hard SF that are also full of memorable characters, arresting images, and sophisticated political, economic and social speculation. Some people complain that his narratives stagger at times under the weight of all this material, but that complaint don’t impress me much.

KSR’s crowning achievement to date is his Mars Trilogy: Red Mars, Green Mars, Blue Mars (and a pendant collection of short stories and alternate takes, The Martians).

Now, via Aussiecon 4’s Facebook group, comes the news that Red Mars is to be made into a TV series. Movies about Mars have a poor track record, so I’m glad that some Michael Bay or Jerry Bruckheimer isn’t going to try to crunch the book down into two hours of explosions. (There are some explosions, but it helps if you know why they happen.)

A Red Mars TV series sounds promising, but it will need to be something with the psychological complexity and moral depth of (the new) Battlestar Galactica to do the book justice. Still, I’m looking forward to seeing Nadia and Arkady, Maya and Michel, Sax and John – and even Frank Chalmers and the egregious Phyllis – brought to life under the pink Martian sky. And a few explosions as well.

Red Mars, life is peaceful there
Red Mars, in the open air …