A Day In The Life Of An Easily Distracted Writer

9.00am: Yay, writing day*, my favourite day of the week.

9.15am: Put load of washing on. Almost out of shirts.

9.30am: Check emails, Twitter – in other words, do those things I keep telling myself I won’t do until I have written my first 1000 words of the day. Still, pleased to see reply from Sydney Padua responding to my previous humorous sally to her re Charles Babbage. Unwisely, devote time to thinking of a yet more humorous riposte. Check Facebook page for Fantastic Voyages: Writing Speculative Fiction. Only two weeks to go!

10.00am: So. Last week, I outlined the final eight chapters of my novel. Now to commence the actual writing, starting with Chapter 17. It’s a new beginning of sorts, with my protagonist and his comrades admitting defeat and moving on, leaving shattered hopes and shattered lives behind. (Never let me write a blurb.)

10.15am: Oh, so that’s what “bounding main” means. Wikipedia rocks!

10.20am: Close down, abjure, put behind me all distracting technologies.

10.30am: Check mail (the physical, in-a-letterbox kind). Nothing.

11.00am: Pleased with how this is going. Stretching out in long passage of descriptive prose.

11.30am: Check mail. Big moment! My contributor’s copy of The Penguin Book of Contemporary New Zealand Short Stories has arrived. Cool! It’s a large book. Skim introduction by Paula Morris – looks good. Check contributor’s note. The Walt Whitman-like epic I provided has been trimmed down a bit, producing interesting floaty effect. Still, cool! Set aside to be read later (two books for review to read first).

12.25am: 850 words written. Check Twitter. Yes, I know that’s not 1000 words, but I have reached the end of a scene. Surely that counts for something.

12.30am: It starts hailing. Bad weather from the south, as foreshadowed by Art And My Life, has arrived. Should have hung washing out earlier. Make tentative start on next scene.

1.00pm: Hail has cleared. Time to hang out washing, then have lunch.

1.10pm: Outside conditions surprisingly pleasant. Discuss plot of novel with cat.

1.30pm: Arrive back inside singing theme from Teletubbies: “Tinky Winky, Dipsy, La La, Po”. Have had idea for the blog post I should have written last night.

1.50pm: Must remember to eat lunch when actually ready. Now cold.

2.15pm: 90 minutes till son returns from school. Time to get on with it.

2.35pm: Megan Fox.

2.40pm: Coffee.

2.45pm: Making good progress. Hard to write a dialogue-heavy scene, this far into the novel, in a way that keeps it fresh. Though both the medium and the tone are different, Buffy the Vampire Slayer does this very, very well. Two key principles I have learned from looking at how dialogue is handled in Buffy: serious dialogue can still have a humorous edge, and let the least trustworthy character in the scene be the most truthful. Only problem is, neither of these apply to what I am writing. Cursed mimesis!

3.25pm: 1500 word mark passed. Had been hoping to write 2000 today. Do have some inkling of why I fell short.

3.40pm: Reached end of the second scene. Total of 1777 words today. Will gnaw on thoughts of next scene over next few days. I know what the fourth and final scene of the chapter is, but right now, have no detailed idea of what will happen in the third scene. I know what emotional tone I want it to have, however. Time for backups.

3.50pm: Front door opens: son arriving home from school. Time to find out how his day was, get him fed, check if he has homework, check the washing (and, OK, fair point, put out the rest of the socks), publish this blog post, reply to emails, and cook dinner.

*There are other days on which I write, but Thursdays are the one day of the week I dedicate to writing. Yes, you heard me. Dedicate!

Buffy the Vampire Slayer Season 8, Volume 2: No Future for You

 

BTVS 8v2 No Future for You
But till then, television’s Tina Fey, we must find a way to keep warm.

Previously on Books in the Trees:

For seven years, Buffy Summers, a vampire slayer, saved the world. A lot. Then she ran foul of the ultimate Big Bad, the network, which cancelled her show. Now she’s back in comic form. The comics are being collected in five-issue trade paperback omnibus editions. Volume 1: The Long Way Home was a mixed bag. Now Volume 2: No Future for You has been released. Does it represent a new beginning, or a stake through the heart?

(fade)

I hate cliffhangers, so let’s cut to the chase. No Future for You is a big improvement on The Long Way Home. There are three main reasons for this:

  1. Unlike the first volume, the stories in this collection don’t try to fit a TV programme’s worth of material into each issue.
  2. The first four issues in this omnibus form a consistent arc — it’s one narrative, split over four issues.
  3. Faith.

I’m with George Michael on this: I gotta have Faith (in a strictly narrative sense, of course). Faith Lehane, played in the TV series by Eliza Dushku, is the working-class, bad-girl Slayer from Boston who first appears in Season 3. Her uninhibited exercise of her powers was both sexy and frightening, and frightening quickly won. After hitting some very deep depths, Faith climbed partway out of them in Season 7, but she is still the outsider, still comparing herself to Buffy, still coming off second-best. (It is one of the great strengths of Buffy that everyone is an outsider in their own estimation, even those who are seen as insiders by others.)

The end of Season 7 saw two thousand young women turned from potential to actual Slayers, and come into full possession of their powers: superhuman strength, speed, ability to heal, and endurance. Much of Buffy and her team’s effort has gone into finding, recruiting and training these young women, but some of them have preferred to go it alone. One such is Gigi, a young English aristocrat, who is most decidedly not committed to using her powers for the common good. Faith is sent on a mission to take her down, but has second thoughts when she discovers that she and Gigi, despite all their differences, may share a common foe.

To say more would be to give too much away, but this arc is rewarding on many levels — from seeing Faith trying to fit in to British high society, to exploring once again her complex rivalry with Buffy Summers.

Issue 10 doesn’t reach the same heights — which is interesting, because the Faith arc was written by Brian K. Vaughan, whereas Issue 10 is written by Joss Whedon. As Lee commented on my previous Buffy post, Joss’s issues haven’t been as good. My feeling is that he tries to cram too much into each issue, using them like TV storyboards rather than working in a way that’s native to the medium.

(Lee’s review of No Future for You is also available online.)

Just like Issue 5, Issue 10 is a stand-alone, concentrating on Willow and Buffy. We get to find out that Buffy has a thing about Daniel Craig, while Willow fantasises about Tina Fey from 30 Rock (in an alpine-cabin kind of scenario), but there’s not much more here. Still, it’s a minor flaw in a fine volume, which to cap it all off, even has a tiny cameo by the Doctor and Rose. I shall be back for more.

If the Apocalypse Comes, Beep Me

It took me a long time to warm to Buffy the Vampire Slayer. It was shown at odd times and on obscure channels on New Zealand television. My wife cottoned on to it a couple of seasons before I did, and kept trying to persuade me to watch it with her — but I resisted. What a stupid title, and wasn’t it some kind of teen romance thing?

Finally, she persuaded me to watch an episode right through; but that didn’t help much, because that episode was Into The Woods (5.10), the one in which Buffy breaks up with her boyfriend Riley. Into the Woods is about as thoroughly “teen romance” as Buffy ever got. Sure, there was a baffling scene where the distraught heroine gets into a fight with emaciated people who kept evaporating in puffs of dust, but I couldn’t really see the point of all that.

Kay persisted, though, and I was sufficiently interested to sit through and enjoy Once More, With Feeling (6.7), the musical episode, even though I generally can’t abide musicals. Before much longer, I was demanding back episodes and plotting to acquire the DVDs.

After seven seasons of brilliant writing, excellent acting, comedy, drama, horror, romance — of scenes that managed to be gut-wrenching, hilarious, scary and thought-provoking all at once — the series came up against the biggest Big Bad of all, the network. Buffy Summers had already died twice (though the first time hardly counted); the third time was the charm, because even the Chosen One had no power against the Hollywood suits. The spin-off series, Angel, ran for one more season.

Then, it seemed, the rest would be silence, despite the fan and academic activity that sprang up to fill the gap (and even some poetry).

But, not so much. Buffy Season 8 has been incarnated in comic form. The “season” is canon – that is to say, official — Buffy. It is supervised, and partly written, by the TV series’ creator, Joss Whedon. It picks up on the climactic events of Season 7, which liberated Buffy from the heavy burden of being The One Girl to save the world, and shows how Buffy and her friends adapt to the new dispensation and some ugly new threats.

The individual comics, in sets of five, are being collected into trade paperbacks. Buffy the Vampire Slayer Season 8, Volume 1: The Long Way Home was a mixed bag: it was great to enter the lives of the familiar characters again and find out how they were feeling about life (not uniformly happy, which will come as no surprise to those familiar with Joss Whedon’s work), but the storyline was so compressed, and so much new material was introduced, that it was hard even for a Buffy fan to follow what was going on. And then there was the contrast between Jo Chen’s wonderful cover art, with its beautiful and true-to-life (or at least true-to-the-actors) depiction of the characters, and Georges Jeanty’s interior art, which made Buffy looked like Sarah Michelle Gellar one minute, and Anna Kournikova the next.

Coming soon: a review of Buffy the Vampire Slayer Season 8, Volume 2: No Future for You.

Transported: 0 days to go – Enough Already / On National Radio Sunday 8 June

Enough already! Transported has been published. It will be in bookshops – Whitcoulls, Borders, Unity, Dymocks, Paper Plus, Parsons, and others – shortly, if it isn’t already. You can buy it online from New Zealand Books Abroad (who, despite their name, also sell books within New Zealand) or Fishpond.

I’m going to finish sorting out the running order of JAAM 26 and catch up on housework. Then it will be back to working on my novel, and blogging about what really matters: Buffy Anne Summers, for example.

So, enjoy the silence.

Or not: following a day on which I twice darkened the doors of Radio New Zealand House, I will appearing twice on National Radio on Sunday 8 June! From 10.05 to about 10.30am, I’m taking part in the Sunday Group on Chris Laidlaw’s morning show. We’ll be discussing Peak Oil and the future of world oil supplies.

Then, some time between 2 and 2.30pm (all being well), I will wear another hat, appearing on “The Arts on Sunday” to discuss Transported with Lynn Freeman. Emily Perkins will be on the show as well.

Shortly after these shows, podcasts will be available, and I’ll add links to them here.

UPDATE: A podcast of the Sunday Group discussion hasn’t been made available, but the Transported interview is available in MP3 format (a two-minute excerpt from the book plus a seven-minute discussion).

FURTHER UPDATE: The Sunday Group discussion on Peak Oil and the future of oil supplies is now also available as a podcast in MP3 format (12.5MB, about 35 minutes).

Poem for a Windy Night

Wind Walks the Hand

Wind walks the hand over rooftops
searching for gaps.

Through the hole in the flashing
the neighbourhood cat

traps the neighbourhood rat
in our attic.

Cries, scuffles.
Drawn-out, messy death.

A ceiling below
we look up from Buffy and wonder.

This poem is included in my latest collection, All Blacks’ Kitchen Gardens.