Mark Pirie’s New Poetry Journal broadsheet Makes Its Debut

broadsheet 1: New New Zealand Poetry

(May 2008)

Published by The Night Press, Wellington. Available from: The Editor, 97/43 Mulgrave Street, Thorndon, Wellington 6011. Subscriptions $12.00 for 2 issues.

Mark Pirie initiated, and was one of the founders and co-editors of, JAAM Magazine, and is a prolific poet and anthologist. Now he’s embarked on a new venture: a new poetry magazine called broadsheet (no relation to the famous New Zealand feminist magazine).

broadsheet #1 consists of a series of poems which were, in fact, originally intended, and in some cases issued, as broadsheets: double-sided sheets each containing two poems by the same author. Bookshops found these difficult to stock, however, so Mark has taken the broadsheets, plus some further poems, and combined them into a magazine.

Sadly, broadsheet stands as a memorial volume to two of its contributors, Victor O’Leary and Meg Campbell. The other poets included are shown on the cover.

My favourites from this issue: Tony Beyer’s “Ode”, with its superb last stanza which is both a masterpiece of economy, and expresses a sentiment with which I thoroughly agree; Alistair Te Ariki Campbell’s two poems – I still don’t believe his poetry has received as wide recognition as it deserves; Evelyn Conlon’s “For Yana”; Basim Furat’s “The Buraq Arrives in Hiroshima”; and Michael O’Leary’s “Sonnet for Victor O’Leary”. But to single these out is not to denigrate the other poems: there was no poem in this issue that I did not enjoy.

broadsheet isn’t open to submissions at this stage (which didn’t actually stop me from submitting, but hey, I didn’t know the rules then!). Poems for inclusion are solicited by the editor. If Issue 1 is anything to go by, future issues of broadsheet will be well worth reading.

Book Review: Mark Pirie, Slips (ESAW, 2008)

I discovered cricket in 1969. At the time, we lived in Otatara, south of Invercargill. The only access I had to test cricket (for the uninitiated, this means five-day games between nations) was via radio: 4YC out of Dunedin were broadcasting commentaries on that summer’s tests between New Zealand and the West Indies. It wasn’t a powerful station, and the only way I could get reception in our house was to put my radio on top of the metal toilet cistern, which amplified the signal. (It’s possible this was inconvenient to other occupants of the house.)

Cricket is an old game which has developed a massive literature: not just the primary literature of statistics and match reports, but a secondary literature of fiction, poetry and plays. Mark Pirie has recently made a welcome addition to this literature with Slips, which is No. 21 in the Earl of Seacliff Art Workshop’s excellent mini-series of poem booklets. Slips is dedicated to Harry Ricketts, another cricketing poet (and biographer), thus acknowledging its place in this literary tradition.

Mark knows whereof he speaks. My cricketing days are well past me, but my son played junior cricket up to the 2006/07 season, and several times, just as his team were packing up for the day, Mark would turn up with his senior team. The cover of Slips shows Mark poised to take a slips catch (again, for US readers, the slips are like extra shortstops who stand behind the batter and take catches off what in baseball would be fouls).

All the poems inside are about, or at least allude to, cricket. These allusions range from the glancing to the highly statistical: “Legacies and Cold Stats” and “Fiery Fred” would delight any cricket historian, while the longest poem, “11 Ways of Being Dismissed”, is based on a Cricinfo article about eleven unusual dismissals.

My two favourite poems in the book aren’t so stats-heavy. “Brown’s Bay” is a beautiful love lyric, while “The Pavilion”, following a long literary tradition, uses cricket as a metaphor for life.

This book displays many of the virtues of Mark Pirie’s poetry: humour, moving writing about grief and loss, and some classic last lines. I particularly like the final line of “Joe”, about a gentleman who starts distracting the scorer:

I watch his words aeroplane up and down his breath.

Whether or not you know your doosra from your googly, Slips is worth catching.