Tag: New Zealand

A Great Review for Emergency Weather + Two Books I Really Enjoyed Reading

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A good review is always nice to get, and especially when it’s unexpected. That’s why I was so pleased to see this review of Emergency Weather by Alyson Baker, and especially to see the praise she had for the plotting:

The plotting of Emergency Weather is brilliant. Allie’s harrowing attempt to reach Dunedin Airport, and Stephanie and Miranda’s nightmare tramping trip prepare the reader for what lies ahead. The three main characters weave around each other in passing before eventually ending up in the same place – a memorial service held after a climate catastrophe. The death toll is 43: “a good number for action: large enough to be shocking, small enough that the people killed could be distinguished in the public mind, could be seen as individuals rather than statistics.”

That is what Emergency Weather is about: how can people be motivated to act?

Want to buy a copy of Emergency Weather? Try your local independent bookstore or order direct from The Cuba Press!

PS: If your local library doesn’t stock it, please recommend it to them!



Two Books I Really Enjoyed

Light Keeping by Adrienne Jansen

Light Keeping is an understated novel of quiet power. Set against the ruthless cost-cutting that led to the replacement of lighthouse keepers with automation, it follows a family of lighthouse keepers as they navigate both personal tragedy and institutional indifference, with the latest generation trying to escape the long shadow of the past.

Adrienne Jansen does a great job of intertwining the personal upheavals of her protagonists’ lives with the vagaries of coastline, sea and weather. The boundary between land and sea on which the lonely lighthouse stands is blurred by both disaster and hope, as Jess and Robert struggle to keep the light in view.

Remains To Be Told: Dark Tales of Aotearoa, edited by Lee Murray

Remains To be Told is a very strong anthology of dark fantasy stories and poems from Aotearoa – and I’m not just saying that because one of my poems is including in this anthology! Editor Lee Murray has pulled together a group of authors known for their horror and dark fantasy work, including Neil Gaiman, and others better known for work outside the field, most notably Owen Marshall.

Many of the stories focus to be found in rural Aotearoa – this anthology shows that “New Zealand Gothic” is alive and well, yet it also has a strong and welcome focus on indigenous stories and indigenous mythology. If you want to experience what lies under the surface of the tourist promotional photos and Instagram influencers’ images of unspoiled nature and carefully curated tourism images, this is the anthology for you.

All About “The World I Found”: An Interview with Latika Vasil

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I enjoyed The World I Found, Latika Vasil’s new novel, a great deal – so I wanted to ask her more about it. Here is our interview!



Cover image of novel "The World Found" by Latika Vasil

How would you describe “The World I Found” to a potential reader?

The World I Found is narrated by 15-year-old Quinn and closely follows her journey from Campbell Island to the Wairarapa and finally home to Wellington, as she navigates a dangerous and eerie post-pandemic world. It will appeal to readers who enjoy a fast-paced adventure story as well as a dystopian setting. The familiar New Zealand environment in which the story is set may also appeal to readers who enjoy a local setting.

I really enjoyed Quinn as a protagonist. Did you enjoy writing from the point of view of a 15-year-old girl?

I enjoyed writing from Quinn’s point of view very much! I like that Quinn isn’t the perfect heroine. Like all of us she makes mistakes and gets things wrong. She has some wonderful qualities, such as her intelligence, adaptability and loyalty to those she cares about, but she is also impulsive and stubborn and these characteristics often get her into trouble. As the novel progresses, Quinn grows in confidence and also develops a love of nature and I enjoyed writing this.

I admire Quinn’s resourcefulness. Is that a case of her stepping up when circumstances demand, or is that innate in her character?

This is a tricky question and it is probably best answered as a bit of both. In the novel, Quinn finds herself in exceptional and totally unforeseen circumstances. She never expected to face the challenges that present themselves. I think we all wonder how we would react and cope if the world suddenly turned upside down, and all the many things we take for granted and which are essential to the smooth running of our day to day lives, disappeared. Quinn is faced with this reality and realises she has to step up and learn to look after herself. At first this doesn’t come easily but as the story develops, Quinn becomes more confident in her abilities and in her own judgement.

This novel is about a pandemic and its aftermath, and it was written during the Covid-19 pandemic. Did the real pandemic influence the fictional pandemic?

Funnily enough, I started the novel before the Covid-19 pandemic and then fiction became reality to some extent! Coming out of the Covid-19 pandemic I did wonder what things would be like in Aotearoa if a worse pandemic had hit us. I explored this scenario in the novel.

Without giving too much away, society reorganising itself after the pandemic in your novel doesn’t go entirely smoothly. Quinn and her friends Jeroen and Cal all respond in different ways to the situation they find themselves in. What leads them to respond in those different ways?

The trio of Quinn, Jeroen and Cal are all very different characters and all have had different upbringings and life experiences that influence the way they react to the new world they find themselves in. Jeroen, especially, has had huge trauma in his life and this impacts how he relates to people and situations. Quinn is more open and receptive to the way she feels about things. She is intuitive and this allows her to see things through a different lens than Jeroen who is very much operating on surface level and as Quinn observes ‘sees what he wants to see’.

Quinn is on Campbell Island when the pandemic hits. Did you need to do lots of research to write those scenes on the island?

Campbell Island is very remote and inaccessible. It is one of New Zealand’s subantarctic islands, 700 kilometres south of Bluff in the South Island. So, while I would have loved to travel there to get a firsthand experience of the island, I had to settle for second hand accounts. Luckily, Campbell Island is a fascinating place and there is quite a bit of material available describing the island and what it is like to live there. It is uninhabited but is occasionally visited by scientific expeditions and small cruise ships. One day I hope to visit!

You’ve previously written adult fiction. What, if anything, was different about writing YA fiction?

The main difference was being able to create an authentic voice for Quinn as a present-day young person. While all of us as adults have been 15 years old once in our lives and can draw from this experience in our writing, it is important to be in touch with what it’s like to be a young person currently, or in the near future as is the case in The World I Found. Once I found Quinn’s ‘voice’ and she began to feel fully fleshed out and real to me, the writing came easily.

Where can readers of this blog buy copies of “The World I Found”?

The World I Found is available from www.latikavasil.com and selected bookshops (see bookhub.co.nz)

Latika Vasil bio

Latika Vasil is an Indian New Zealander who lives in Te Whanganui-a-Tara Wellington. She has worked as a university lecturer, a researcher, a creative writing tutor and currently as a freelance writer. Her fiction has been broadcast on Radio New Zealand, and published in various anthologies and magazines, including Landfall and takahē. She has written two books of fiction: A collection of short stories, Rising to the Surface (2013, Steele Roberts Aotearoa) and a YA novel, The World I Found (2023, Black Giraffe Press).

What I learned from my year of submitting poetry to magazines in Aotearoa

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Back into writing poetry

Earlier this year, I returned to writing poetry. I’d been focused on writing fiction since the publication of my 2016 poetry collection New Sea Land, with the exception of the music poems I wrote for my 2019 chapbook Big Hair Was Everywhere – most of which dated from 2016-17 anyway.

It was a real joy to return to writing poetry after five years focused on fiction, but I went into it thinking that there were few to no magazines left in Aotearoa that published poetry. Happily, I was wrong about that.

This isn’t meant to be a comprehensive list – check out the New Zealand Poetry Society website for more poetry markets – but here are some poetry magazines I submitted work to in 2022, together with how I got on.

(There are all sorts of ways to get your poetry out there – live performances, competitions, videos, anthologies. Time permitting, I’ll post more about those next year – including what I’ve learned about poetry in Aotearoa from editing the 2021 and 2022 New Zealand Poetry Society anthologies, Kissing a Ghost and Alarm & Longing.)

Landfall 244 cover - Seacliff train station

How I got on

I had poems accepted and published by:
a fine line – “Villagers” in a fine line, Autumn 2022, p. 24
takahē – “Restraints” and “Bento Box, Mt Victoria” in takahē 105, August 2022 (online edition)
Landfall – “Uncles” in Landfall 244, pp. 154-155. (I’m particularly chuffed about that one, as I’ve had reviews published in Landfall previously, but never poetry.)
broadsheet – “The Passage South” in broadsheet 30, November 2022
Tarot – “She Fell Away” and “Closer to the river” in Tarot 5, December 2022.

Thank you to the editors of those magazines!

I submitted unsuccessfully to Poetry New Zealand (which is an excellent yearly magazine/anthology that I’ll definitely be trying again), two competitions, and in a swing-for-the-fences moment, Asimov’s – another place I haven’t been published but would like to be. Happily, there are plenty of other science fiction poetry markets.

I’m very pleased with that ratio of acceptances to submissions – but experience has taught me that one good year of getting work accepted doesn’t guarantee another. Nevertheless, once my current round of novel revisions is finished, I plan to dip my bucket in the poetry well once again – I still have a bunch of ideas for poems, and some partial drafts, to pursue. I hope there will be a collection’s worth of publishable poems by the time I’ve finished.

What I learned

These are pragmatic comments about how to maximise the effectiveness of your submissions, rather than advice on how to write poetry!

Follow the guidelines. If a magazine says they want to see up to five poems, don’t send them six – it will just piss them off. (Well, it would if I was the editor.) If they say they want poems of up to 40 lines, don’t send them a 50-line poem, and so forth. And whatever you do, don’t send the editor a poem they’ve previously rejected! (I don’t *think* I’ve ever done this, and I try really hard not to.)

Find out what the editor likes. What style of poetry do they write themselves? Is that the style of poetry they tend to select for publication, or do they select a wide range of poems and poets? Have they posted or commented about what sort of poems they are seeing too much of, or not enough of?

Find about the journal. Bonza Bush Poetry and the Extremely Academic Magazine of Post-Post-Post Modernist Poetics are unlikely to publish similar poems: which one is your work better suited for?

Send a range of work. This is one I have learned from editing poetry myself: if I have a range of poems I could submit, I try to include some shorter poems as well as those that are near the length limit, some lighter poems as well as serious ones, etc. Be that poet who gives the editor a range of options when they are completing their selection for an issue.

Submit earlier rather than later in the submission window if you can. Because I tend to be deadline-focused, I don’t often follow my own advice here. But if a magazine says “submissions are open from 1 September to 1 November” and you have poems that are ready to submit, I’d get them in early in the window if possible – that probably gives you the best opportunity to get your work, and particularly longer or more complex poems, selected.

Send your best work. What a cliche! But it’s true.

Be gracious. Nobody likes having work rejected – I certainly don’t – but don’t take it out on the editor. From my own experience, poetry editors are battling against time pressures, money pressures, fatigue and other commitments to do the best job they possibly can, and they almost always receive far more poems than can be fitted into an issue. Plus, complaining isn’t likely to make the editor look more favourably on your next submission.

No Other Place To Stand: An Anthology Of Climate Change Poetry From Aotearoa New Zealand

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Pile of copies of poetry anthology "No Other Place to Stand" ion table, with trees shown through window in background

I’m very pleased that my poem “Not for me the sunlit uplands,” first published in New Sea Land, is included in this new anthology. I’m looking forward to the Wellington launch on 14 July – check out the details below:

Auckland University Press invites you to the launch of NO OTHER PLACE TO STAND: AN ANTHOLOGY OF CLIMATE CHANGE POETRY FROM AOTEAROA NEW ZEALAND.

Join editors Jordan Hamel, Rebecca Hawkes, Erik Kennedy and Essa Ranapiri – as well as plenty of special guests – to the celebration and launch party of this brilliant new anthology.

6pm, Thursday 14 July
Meow
9 Edward Street
Wellington
All welcome!

Facebook event: https://www.facebook.com/events/389905359776491

Editors’ note: We’re also planning a Te Waipounamu launch for the anthology with Word Christchurch later in the year. 

Transformative Works: a poem for Level 3

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This is the daily shipping news. Jashley,
Ashinda: behind them, the promise
of transformative works, the old Ministry
reassembling from neoliberal dust.

The old and the new scramble
for debt-free gold at the rainbow’s end,
the schemers of irrigation schemes
circling the circular economy.

Tunnel borers sharpen iron teeth.
Laws join the bonfire of regulations.
“What’ll it be, New Zealand –
the money or the body bags?”

NZ Poetry Day: Zoetropes, by Bill Manhire

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Zoetropes

A starting. Words which begin
with Z alarm the heart:
the eye cuts down at once

then drifts across the page
to other disappointments.

*

Zenana: the women’s
      apartments
in Indian or Persian houses.
Zero is nought, nothing,

nil – the quiet starting point
of any scale of measurement.

*

The land itself is only
smoke at anchor, drifting above
Antarctica’s white flower,

tied by a thin red line
(5000 miles) to Valparaiso.

London 29.4.81

Reproduced by kind permission of the author, Bill Manhire.

Tim says: This poem captures better than any other I know both the sense of isolation which so many New Zealanders feel, and the sudden, irrational pride in reading any mention of our little country, no matter how trivial or fleeting, in the world’s media. Here we are, floating somewhere between Chile and Antarctica, hoping someone will notice us…

Bill Manhire is one of New Zealand’s best-known poets. “Zoetropes” was published as the title poem of Zoetropes: Poems 1972-82, and republished in Collected Poems (2001), available in New Zealand and internationally from Victoria University Press, and in the UK from Carcanet.

You can buy books by Tim Jones online!

Should New Zealand Have Its Own Section On The Poetry International Web?

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I’ve been looking through this week’s Tuesday Poems, and thinking about poems – mine and others’ – I plan to post on forthcoming Tuesdays.

While doing this, I visited the Poetry International Web. Poetry International is a significant organisation: it organises the annual Poetry International Festival in Rotterdam, and it maintains a website with many poems, articles, videos and news.

The website is organised into national sections, each overseen by a national editor, each with its own wealth of material. Australia has a national section; so does Zimbabwe – a particularly impressive one – and Lithuania, and Croatia.

But there is no national section for Aotearoa/New Zealand, presumably because we don’t have a national editor. I think that’s a pity. So I’m wondering, would it be good if we did have a national section, and if so, how could this be brought about?

The Poetry International FAQ includes a list of the requirements for a national editor, and they are not insignificant. But is there anyone out there who meets those criteria and would be willing to take on the job?

You can buy books by Tim Jones online!

Voyagers: Here At Last

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I was going to do a much longer and more complicated blog post tonight, but I’m too tired. So instead, this is just to say that I have a copy of Voyagers: Science Fiction Poetry from New Zealand sitting right here besides me, and that feels good!

Mark Pirie and I started on this project in 2004, when we called for submissions for our planned anthology of New Zealand science fiction poetry. While submissions were coming in, we went off and deepened our knowledge of New Zealand poetry by looking for previously-published SF poems. (Well, I deepened my knowledge – Mark’s was pretty deep already.)

By mid-2005, we had the first version of the manuscript pretty much sorted out. As I’ve previously recounted, finding a publisher proved to be difficult, and we were very pleased when Interactive Publications of Brisbane took the project on in 2008. We couldn’t include all the poems we wished, but those we have included look rather good to me. You can find sample poems from the book, by David Gregory, Meg Campbell and Mary Cresswell, at the Voyagers mini-site (bottom right of that page).

Mark and I will be sending out contributors’ and review copies over the next couple of weeks. There will be a New Zealand launch for Voyagers in July, but if you’d like to get a copy while it’s fresh off the presses, you can buy it from Amazon.com as a paperback or Kindle e-book (search for “Voyagers: Science Fiction Poetry”), or from Fishpond in New Zealand. You can also find out more about Voyagers, and buy it directly from the publisher, at the Voyagers mini-site.

You can buy books by Tim Jones online!

Diary of a New Zealand Cricket Fan

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12 November 2008: New Zealand Cricket announce that, due to scheduling conflicts, the previously-announced international cricket tours by the West Indies and India in Summer 2008/09 will not proceed. They are to be replaced respectively by the Turks and Caicos Islands and Bhutan.

14 November 2008: New Zealand Cricket announces that, following detailed research on weather patterns which shows that the east of the country had the best weather leading up to Christmas, all pre-Christmas international matches will be scheduled in the Chatham Islands, 750 km to the east of mainland New Zealand, and all post-Christmas matches at Milford Sound.

22 November 2008: Diarist takes son out for first cricket practice of the year. They work on batting, bowling, and retrieving ball from small, angry dog.

2 December 2008: New Zealand cricket announces creation of a full-time motivational speaker position as part of Black Caps infrastructure, to join psychologist, phrenologist, psephologist, garbologist, and escapologist. Batting coach position remains vacant.

6 December 2008: Tony Robbins, well known for his late-night infomercials, appointed to NZ Cricket motivational speaker position.

7 December 2008: Turks and Caicos Islands arrive for pre-Christmas tour.

9 December 2008: Announcement in Goa that, in additional to the Indian Premier League (IPL) and the Indian Cricket League (ICL), a Goa Outstation League (GOL), featuring eight teams of domestic and international players, will be formed to contest a Twenty20 competition beginning in 2009. GOL immediately begins recruiting New Zealand test players, ex-players and fringe players not already signed up to the IPL and ICL.

10 December 2008: Unnamed New Zealand U-19 player accidentally signs to IPL, ICL and GOL on same day. Lawyers briefed.

11 December 2008: First Test between New Zealand and Turks and Caicos begins in Waitangi, Chatham Islands. Rain stops play after 3 balls.

15 December 2008: Test ends in draw. Scoreboard: NZ 0/0 (0.3 overs)

18-22 December 2008: Second Test also ends in draw. Scoreboard: Turks and Caicos 0/0 (0.2 overs). “We can take a lot of positives from this series”, says New Zealand coach Tony Robbins.

Late December, early January: Christmas, one day matches, etc. Diarist takes son out for second cricket practice. They work on cutting grass, mowing pitch, and remedies for heat exhaustion.

8 January 2009: Kevin Pietersen resigns, and Peter Moores is sacked, as England cricket captain and coach, due to musical and personal differences.

8 January 2009 (p.m.): Diarist woken by surprise phone call from a “Colonel Mustard” of the England and Wales Cricket Board (ECB), sounding out diarist’s availability to take over as England cricket coach. Caller explains that he is investigating option of appointing Grimsby-born one-test England veteran Darren Pattinson as the new England captain, and that as both Darren Pattinson and your diarist were born in Grimsby, diarist was therefore logical choice as coach. Diarist says that he will think about it.

8 January 2009 (p.m., later, after restorative brandy): Diarist makes return call to ECB to decline coaching job, instead recommending Arjuna Ranatunga as coach and Douglas Jardine as captain.

9 January 2009: Unnamed source within ECB leaks details of late-night call offering coaching position. Diarist described as “tired and emotional” in English cricketing media. Lawyers briefed.

16 January 2009: In cascade of developments, Tony Robbins appointed as new England cricket coach, John Major as captain, and George W. Bush as motivational speaker. In simultaneous announcement, residency requirements relaxed so that Kevin Pietersen can be appointed as New Zealand cricket captain and Peter Moores as New Zealand coach.

22 January 2009: Bhutan arrives for three-test, one Twenty20 International (T20I), seventeen One-Day International tour. Coincidentally, formation of new Bhutan Royal League (BRL) announced at special meeting of New Zealand Cricket Players’ Association.

25 January 2009: Diarist takes son out for third cricket practice, aiming to teach son to play cut shot. Diarist then bowls series of leg-side long-hops which are deposited by son into gorse bush, storm drain, nearby supermarket carpark, etc. Diarist eventually convinces son to take guard two feet outside leg stump, and completes session on satisfactory note by bowling son with knee-high full toss. Diarist reaffirms that he will buy pads for son before next cricket season.

Feb, March 2009: First two tests against Bhutan, entire ODI series, and only T20I rained out without a ball being bowled.

3 April 2009: Third and deciding NZ-Bhutan test begins on time at Milford Sound during unexpected summer. New Zealand win toss and opt to bowl.

7 April 2009: Third and deciding NZ-Bhutan test ends in thrilling fashion. Set 27 to win, NZ reach 25 without incident before succumbing to fast, hostile inswinging yorkers from Bhutanese pace bowler W Younis (no relation). Bhutan celebrate one-run victory. “We can take a lot of positives from the first 25 runs,” says Moores.

8 April 2009: Diarist sounded out for motivational speaker position with Bhutanese side.

You can buy books by Tim Jones online!

Good Times, Bad Times

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I had a good time at the launch of Before the Sirocco, the 2008 New Zealand Poetry Society anthology, which includes the winning poems (in open and two junior categories) from the NZPS 2008 International Poetry Competition. A packed and appreciative audience at Turnbull House heard poets from all over the country read poems included in the anthology. There was a sizeable Christchurch contingent, and I had the pleasure of meeting Joanna Preston for the first time, and Helen Lowe for what turns out to have been the second time.

Then I went home and had a less good time watching the results of the 2006 [err, make that 2008] New Zealand General Election come rolling across the screen. The outcome was a conclusive win for the right, with a National-ACT-United Future coalition government set to be installed within the next few days. My biggest fear about this is that the modest – very modest – gains which have been made in climate change policy under the previous Labour government will be rolled back, and in particular, that King Coal will be enthroned as the “answer” to New Zealand’s energy needs. It’s going to take a big effort ot prevent that outcome.

To finish on a positive, though, I’m writing this while watching the concluding minutes of a very exciting Fifa Under-17 Women’s World Cup football (soccer) quarterfinal between Japan and England – currently locked at 2:2*. Having watched and enjoyed the semi-final and final of the recent senior Women’s World Cup, I expected to enjoy these games, but they have even better than I expected: full of skill, commitment, excitement and some wonderful goals, and almost completely free of the cynicism, cheating, time-wasting and boorishness that so often mars the men’s game.

New Zealand’s Young Football Ferns were very unlucky not to progress from the group stages of the tournament into the quarterfinals. A lack of polish in front of goal meant that they lost their first two matches 0-1 and 1-2, but in their final game, against South American champions Colombia, they more than made up with it with a 3-1 victory. You can see NZ striker Rosie White’s hat-trick here, uploaded by an enamoured fan.

The game was played in absolutely atrocious conditions: a howling northerly gale and driving rain. Being there and seeing the game live felt like a badge of honour. I’m delighted I went, and now looking forward to seeing how many of the same players perform in the Under-20 Women’s World Cup in Chile in a few weeks’ time.

The semi-finals and final of the Under-17 Women’s World Cup are still to come (semifinals Thursday 13/11 in Christchurch at QEII Park, final and 3rd/4th playoff Sunday 16th in Auckland at North Harbour Stadium). If you get the chance to go along to these games, do take it!

*England won in a penalty shootout – another thing that doesn’t happen in the men’s game!

You can buy books by Tim Jones online!